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Stop-and-Think Design

Originally
Posted on:
February 19, 2015
March 17, 2024

Post inspired on Challenging Canonical Design, and originally published in Pulse. Back in the 1800's a huge creative burst happened as a result of the Industrial Revolution, men creating machinery, machinery creating labels, labels displaying brands, brands being consumed (as opposed to goods). Then we saw the same happening again, and again with the Personal Computers, then the Internet (especially with Web 2.0) and then with Smart Mobile Devices, etc. and the flexible nature of software solutions that they were capable of running.Graphical User Interfaces, Continuous Integration and The Cloud, allowed us to have the latest information displays in our pockets every day; they depict fancy dashboards that clutter our minds with data we don't need or dashboards that, oblivious to actual user needs, that try too hard to look pretty. However, the convention of more (of the same) is better or prettier (but the same) is better is pervasive in the digital age, in which we tend to multiply offering suppliers rather than value.One of the differences between the Industrial Age and the Digital Age is the hardness of the User Interface (at least for the purpose of this text, it is). Software applications made it possible to completely change the look and feel and human-device interaction without having to create new expensive molds, springs and cogs. But it seems that culturally we are still too afraid of challenging the design of legacy controls that are found on all operative systems and web-pages. This might be due to the three following reasons:

  1. They represent a canon in their own niche. They have been like that for so long, that nobody thinks about their design anymore as something that can be improved. So, basically nobody notices.
  2. There's a risk associated to going against status-quo. Once somebody notices that there is a need to change their design, they acknowledge that the new proposed solution might not be cognitively associated with its purpose, as...
  3. Convention, standards, installed-base and learning-curve make it impossible. Try changing the design of a QWERTY keyboard, which was designed as a solution for the machines so that their keys wouldn't get stuck, rather than for ease of use as its failed cousin DVORAK.

Thankfully there's a wind of change. The digital age, brought with it a sub-revolution that derives from the readiness and availability of mobile devices, and the way they embedded technology in the every-day activities for many (the number of global smartphone users will surpass 2 billion in 2016), including grand-parents. The simplicity of small-and-single-purpose apps that could run in a phone without too much power flourished and narrowed down the feature scope of software to just a few core features that seamlessly aligned to a reduced user base (as compared to their desktop counterparts) which allowed software development companies to focus.This represents a great opportunity. The time to challenge design. Old and squared GUI controls can be re-thought. Designers can challenge again status-quo with minimal risk and can be bold again and aim to create new canons again, that defy the manufacturing process of hardware so that they align more to their users.

Is this the time that Dvorak was waiting for to release his new keyboard layout? #UX #Design #productinnovation http://t.co/zmOjhL46kS— Edgar Anzaldúa (@edgarator) February 19, 2015

But don't take my word for it. If you want to learn more about challenging design you can go to the following sources:

The case studies about Henry Heinz and Howard Schultz talk about the design of their businesses around their contextual constraints and environment (1800's and 1980's respectively). They give incredible insight on how to design with people in mind and are incredibly good reads.

About the Author

Edgar is a Design Thinker especialising in Design Strategy, User Research, Service and Product Design based in Sydney, Australia. His works extend a wide variety of company sizes, industries and sectors. You can check his Eddy's Portfolio, contact him for Mentoring or just to talk shop.

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Edgar Anzaldúa-Moreno
Design thinker especialising in Design Strategy, User Research, Service and Product Design based in Sydney, NSW.
This portfolio showcases my individual contributions to projects and includes both original content and designs developed by me in from 2015 to 2024. Copyright © 2024 Edgar Anzaldua-Moreno. All Rights Reserved. Wherever company-specific designs are featured, such designs remain the intellectual property of their respective companies and are displayed here solely for the purpose of demonstrating my professional experience and skills. This portfolio is intended for demonstration purposes only and does not imply ownership of company copyrighted designs.